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Dana Schutz Stages Bold Return to Form after Whitney Biennial Controversy -  Artsy
Dana Schutz Stages Bold Return to Form after Whitney Biennial Controversy - Artsy

After the Quake, Dana Schutz Gets Back to Work - The New York Times
After the Quake, Dana Schutz Gets Back to Work - The New York Times

The Paris Review - Who Speaks Freely?: Art, Race, and Protest - The Paris  Review
The Paris Review - Who Speaks Freely?: Art, Race, and Protest - The Paris Review

Dana Schutz Responds to Whitney Biennial Controversy
Dana Schutz Responds to Whitney Biennial Controversy

Why Dana Schutz Painted Emmett Till | The New Yorker
Why Dana Schutz Painted Emmett Till | The New Yorker

What Does It Mean to Be Black and Look at This?” A Scholar Reflects on the Dana  Schutz Controversy - Hyperallergic
What Does It Mean to Be Black and Look at This?” A Scholar Reflects on the Dana Schutz Controversy - Hyperallergic

Black artists protest Emmett Till painting by white artist | Dazed
Black artists protest Emmett Till painting by white artist | Dazed

A WHITE ARTIST'S PAINTING OF A MURDERED BLACK CHILD DIVIDES THE ART WORLD —  Trey Speegle
A WHITE ARTIST'S PAINTING OF A MURDERED BLACK CHILD DIVIDES THE ART WORLD — Trey Speegle

Painter Dana Schutz Is Now Represented by David Zwirner – ARTnews.com
Painter Dana Schutz Is Now Represented by David Zwirner – ARTnews.com

George Baker on painting, critique, and empathy in the Emmett Till /  Whitney Biennial debate
George Baker on painting, critique, and empathy in the Emmett Till / Whitney Biennial debate

Should Art That Infuriates Be Removed? - The New York Times
Should Art That Infuriates Be Removed? - The New York Times

MuseumsSoWhite: Black Pain and Why Painting Emmett Till Matters
MuseumsSoWhite: Black Pain and Why Painting Emmett Till Matters

Why Fury Over Emmett Till Artwork At Whitney Biennial Is So Dangerous – The  Forward
Why Fury Over Emmett Till Artwork At Whitney Biennial Is So Dangerous – The Forward

The problem with the Whitney Biennial's Emmett Till painting isn't that the  artist is white.
The problem with the Whitney Biennial's Emmett Till painting isn't that the artist is white.

Dana Schutz Responds to Whitney Biennial Controversy
Dana Schutz Responds to Whitney Biennial Controversy

Behind the Controversy: Dana Schutz at the ICA — Abigail Ogilvy Gallery
Behind the Controversy: Dana Schutz at the ICA — Abigail Ogilvy Gallery

Fake Letter Requesting Removal Of Dana Schutz' 'Open Casket' Emmett Till  Painting Dials Up Protest Temperature — Anne of Carversville
Fake Letter Requesting Removal Of Dana Schutz' 'Open Casket' Emmett Till Painting Dials Up Protest Temperature — Anne of Carversville

How the Dana Schutz Controversy—and a Year of Reckoning—Have Changed  Museums Forever | Artnet News
How the Dana Schutz Controversy—and a Year of Reckoning—Have Changed Museums Forever | Artnet News

Whitney Biennial: Emmett Till casket painting by white artist sparks anger  | Art | The Guardian
Whitney Biennial: Emmett Till casket painting by white artist sparks anger | Art | The Guardian

Open Casket Artist Defends Emmett Till Painting
Open Casket Artist Defends Emmett Till Painting

Why Dana Schutz Painted Emmett Till | The New Yorker
Why Dana Schutz Painted Emmett Till | The New Yorker

Kevin Hong on Dana Schutz - Artforum International
Kevin Hong on Dana Schutz - Artforum International

The Self-Awareness That Haunts Artist Dana Schutz's New Paintings -  ArtReview
The Self-Awareness That Haunts Artist Dana Schutz's New Paintings - ArtReview

Why Dana Schutz Painted Emmett Till | The New Yorker
Why Dana Schutz Painted Emmett Till | The New Yorker

Why Dana Schutz Painted Emmett Till | The New Yorker
Why Dana Schutz Painted Emmett Till | The New Yorker